Press Preview
Wednesday, 11 December 2024, 10:30 a.m.
Opening
Thursday, 12 December 2024, 7 p.m.
Artist Talk
Friday, 13 December 2024, 2 p.m.
with Katharina Fitz, Ursula Palla, Judith Saupper and Lucie Schenker
After-Work-Tour
Thursday, 6 February 2025, 6 p.m.
Family afternoon: guided tour and open studio
Saturday, 22 February 2025, 2-5 p.m.
with Christa Bohle, for adults with children around 6 years old, in German
free of charge, registration until 18 Feb 2025 at office@kunstraumdornbirn.at
Katharina Fitz www.katharinafitz.com
Ursula Palla www.ursulapalla.kleio.com
Judith Saupper www.judithsaupper.com
Lucie Schenker www.lucieschenker.kleio.com
Friday, 13 December 2024
Official opening “Heimspiel” at the Kunstmuseum St. Gallen
Opening of Kunst Halle St. Gallen
Saturday, 14 December 2024
Opening Kunsthaus Glarus
Sunday, 15 December 2024
Opening of Werk2 Arbon
For more information on the exhibition venues and events as part of “Heimspiel”, please visit www.heimspiel.tv
As part of “Heimspiel 2024”, Kunstraum Dornbirn is showing under the title “Place and Space” sculptural works by four artists of different generations: Katharina Fitz, Ursula Palla, Judith Saupper and Lucie Schenker. Arranged in groups of works, the sculptural and installative approaches are placed in an exciting dialogue in the open architecture of the historic assembly hall.
One condition under which the exhibition was developed was unusual for Kunstraum Dornbirn: the conceptual basis for “Heimspiel” and all exhibitions curated within its framework has a geographical component. Participation was based on the applicants’ relation to the designated countries and Swiss cantons.
The second condition of the exhibition is fundamental to Kunstraum Dornbirn: its particular exhibition space. In the historic assembly hall, with its surround lattice windows, natural lighting and climatic conditions, the architecture itself becomes a determining factor for the selection of artists and their respective works. Kunstraum Dornbirn’s programmatic specialisation in expansive installations and sculptures is derived from its space and is particularly exciting when the exhibiting artists enter into dialogue with the architecture and allow it to take effect in their work.
Fitz, Palla, Saupper and Schenker deal in various ways with places and spaces in different contexts, such as their individual and socially relevant use and definition. Through their work we have to do with the spheres of both urban space and natural space and our role in them. From the studio as a place of production, we move to the institutional exhibition space and the question of how space can be physically filled, shaped and restructured through works of art. It is a question about both what is concretely localizable in place and space and their fictional momentum, about the existing or newly constructed relationship between nature and man, and always about the search for a concrete form of the elusive or unsayable.
All four artists develop their sculptural forms and languages in diverse and highly independent, sometimes contradictory ways – for example, fact-based or subject to the pure aesthetic experience of space. These artistic approaches skilfully master the various aesthetics and can complement or comment on each other. The exhibits’ craftsmanship, their conceptual quality and consistency, make visiting the exhibition a pleasurable experience that can expand and reorient our view of the often abstract concepts of “place and space”.
The four artists’ works are briefly presented below.
For the third time, Kunstraum Dornbirn is taking part in the cross-border exhibition format “Heimspiel” 2024, which offers a platform for artistic creation in the field of visual arts in Vorarlberg, the Principality of Liechtenstein and the cantons of Appenzell Ausserrhoden and Appenzell Innerrhoden, St. Gallen, Thurgau and Glarus.
“Heimspiel” is an established cross-border exhibition format at the Four-Country Point, in which the participating cantons and countries join forces to make local contemporary art visible. Institutions with an international focus open their programmes every three years for group exhibitions with artists who have a connection to Vorarlberg, the Principality of Liechtenstein and the five cantons of Eastern Switzerland. The artists are invited to present their work by submitting a public call for entries in March 2024.
Five cultural institutions will be showing juried and curated exhibitions from the portfolio of applicants from 13 December 2024. In addition to the Kunstraum Dornbirn, which is taking part in the initiative for the third time, the exhibition venues are the Kunstmuseum St. Gallen and the Kunst Halle Sankt Gallen, the Kunstmuseum Thurgau’s Webmaschinenhalle Werk2 in Arbon and the Kunsthaus Glarus. The renowned and the new, the established and the experimental alike, have their place here. There will also be an “open studios” weekend, during which all participating artists are invited to open their workspaces to the public.
The exhibition cooperation is intended to foster encounters, networking, communication and international exchange. The programme of Kunstraum Dornbirn focuses on extensive spatial installations and environments created by national and international artists, which are usually specifically designed for and produced in the space. In “Heimspiel”, we depart from this programmatic focus.
The sponsors include the Appenzell Innerrhoden Cultural Office, the Appenzell Ausserrhoden Office for Culture, the Glarus Main Department of Culture, the St. Gallen Office for Culture, the Cultural Promotion City of St. Gallen, the Thurgau Cultural Office, the Liechtenstein Cultural Foundation, and the Vorarlberg Culture Department.
Katharina Fitz’s installations testify to an intense engagement with their materials, often plaster, latex, wood, and industrial ceramics, but also ratchet straps, foam or burlap. The special aesthetic of the works lies in their arrangement, which makes the viewer witness to artistic production processes and their transitional states between beginning and final form. Central are the transformative moments and the process itself. The reference to the surrounding architecture not only influences the formal language, creating an exciting interaction between the sculpture and space, but the artist’s settings also link the space of the studio with the exhibition situation. This conveys to the viewer the feeling of intimate insights, like a look behind the scenes. The encounter with something “unfinished” in an institutional context provokes thought and seduces the viewer into posing the question of what function the presumable devices, machines and vessels might at some time fulfil.
Katharina Fitz was born in 1985 in Dornbirn, Vorarlberg. She has lived and worked in Nottingham, UK, since 2016, where she studied Fine Arts at Nottingham Trent University, UK, from 2016 to 2019. From 2006 to 2008 Fitz studied film and photography at the Sant Ignasi de Barcelona University and then worked as a photographer and video editor in Berlin until 2016.
Ursula Palla’s artistic work focuses on people’s actions in the world, their responsibility for the environment and their relationship to its flora and fauna. Using various media and short-lived (for example, natural) materials, the artist addresses the construction of reality in a visually poetic way. The basis of all her art is research and the acquisition of knowledge. Ranging from room-sized video works to small-format sculptural installations, each work is given an expressive form that makes a facet of the fragile symbiosis between human beings and the environment accessible in a sensual, sometimes ironic, and always narrative way.
Ursula Palla, born in 1961 in Chur, Switzerland, lives and works in Zurich. From 1989 to 1992 she attended the Zurich F+F School of Art and Media Design, majoring in drawing and painting. From 1994 to 2002 she was a member of Cooperation Project X (cpx), the first performance group in Switzerland to use computers as part of its work.
Judith Saupper is interested in the dimension of the invisible and the unsayable, to which she gives visual form in her imagined structures, architectures and topographies. The works do not thereby remain fictional or even abstract; on the contrary, they interleave themselves with our reality by taking that reality as a visual stimulus and at the same time knowledgeably questioning it. In media as diverse as drawing, graphics, photography, sculpture, architectural models and sound installations, Saupper enmeshes both reality and fiction. The interfaces are formally fluid and connected by contemporary stories. The artist devotes herself to questions such as those about the misunderstandings between humans and animals, the socially defined symbolic value of private houses, the impossible or yet achievable representation of feelings, and the effects of a possible loss of belief systems accepted by society as a whole.
Judith Saupper, born in 1975 in Feldkirch, Vorarlberg, lives and works in Parisdorf, Lower Austria. In 2004 she completed her studies in stage and film design at the University of Applied Arts in Vienna.
Lucie Schenker’s installations made of textiles or wire mesh give the impression of being light and airy. Rolled, tightly woven steel fabrics, which look similar to strong textiles, rise up and stand on the floor curved in waves or intertwined in folds. From these material structures, Schenker forms flowing lines, which she places in the room like three-dimensional drawings. The works allow views through the material and thus connect with the surrounding architecture. Since the mid-1970s, the artist has been developing a poetic type of sculptural language that takes up opposites such as lightness and heaviness or themes such as transparency and objectivity and their experience in space. Schenker works on these themes in an abstract manner in coordination with the respective space, making them wonderfully easy to digest and aesthetically pleasing.
Lucie Schenker was born in Oberbüren St. Gallen in 1943. From 1960 to 1964 she trained as a textile designer at the School for Textile Design in St. Gallen, a profession she practiced until 1968. In the first half of the 1970s she then worked in industrial design and graphic illustrations in the textile and paper industry. Since 1975 she has been a freelance artist. From 1988 to 1992 Schenker taught at the St. Gallen School for Textile Design, and from 1989 to 1992 at the School of Design in the Form-Colour-Space class.
The image files are available to you in the context of announcing and reporting on the exhibition “Heimspiel” at Kunstraum Dornbirn (13 Dec 2024 – 2 March 2025). Reproductions must be accompanied by the name of the artist, the title and date of the work, the copyright and, where indicated, the name of the photographer. Please note here the specifications accompanying the respective caption. Reproductions may not be cropped, overprinted, toned or treated derogatively in any way, or used for marketing or promotional purposes without prior permission from the copyright holder. Please don’t hesitate to contact us if you have any questions regarding the context, usage or content of the images: Sina Wagner, sina.wagner@kunstraumdornbirn.at.